charlatans front man and o.genesis label boss tim burgess releases a limited edition remix ep of his 2014 record store day release oh men on o.genesis records. remixes come from the other two (stephen & gillian from new order), peaking lights, grumbling fur (who recently remixed the charlatans talking in tones), the invisible conga people and carter tutti the 12inch is strictly limited to 500 copies worldwide

the fat white family need no introduction and ez-ra & lamik are one half of decius… decius is a collaboration between acid house superstars paranoid london, ez-ra & lamik and lias saoudi the vocalist from the fat white family. their first release 3 months ago *come to me villa / gay futures* was described by ivan smagghe as *the best record of 2014* and is currently still at number 4 in the clone top 10. keeping it in the family, ez-ra & lamik have reworked two of their favourite fat white family tracks, it just seemed rude not to.

white coloured vinyl. unreleased edits pt 3 of 4. 300 copies not to be represssed. witness the change/ how much are they? / we have come to bless the house

collision with the past, part ii the drama continues. a set of immersive and moving experimental techno outbursts by our man boris bunnik aka conforce. conceived to reach beyond your emotion circuits, send shivers down your spine and make your neurotransmitters shake. true beauty doesnt come from the unavoidable music industry promotion cosmetics. real music should reach your soul, and can only be explored through direct transmitted waveforms. from our frustrated minds to yours.

luca lozano drops 3 sheffield bleep anthems plus a dj fett burger remix to burn yo azz up!

wie auch bei seiner ersten -warpaint ep-, steht hinter der neuen -throwing stones ep- von clint stewart das musikalische konzept mit je zwei verschiedenen stimmungen auf jeweils einer seite der platte. -throwing stones- ist ein track, der sich am wohlsten in clubs mit einer dunklen, mysteriösen atmosphäre mit strobe lights fühlt. -come undone- hingegen steht mit seinen warmen und rhythmischen akzenten im kontrast zur a-seite.

talos is eoin french and the delicate, dreamy rnb-meets-pop of tethered bones b/w bloom is the talk talk-fixated former architects opening salvo. remixes come from wife (tri-angle) and eomac (ttt/r+s). talos on tethered bones: its a love song, about how a relationship can engulf and transform you: what it can and does take away. what you lose and what you gain. early supporters include disco naivitie, pigs and planes, tlobf, phil taggart & alice levine and b traits on bbc radio 1, and the nme, with a radar write-up. the track has racked up over 300.000+ soundcloud plays since its debut on fader. crack in the road: four minutes and twenty seconds of absolute bliss. this is one of the tracks of the year.

franck s wanderlust is a no-nonsense kinetic house cut with an old-school male vox sublimely worked over bubbly bass, weighty percussion, and resonating intonations. up for remix duty is rouge scoiety label head and uk-house stalwart jordan peak who strips things back to deliver a dark and brooding cut, cultivated over pulsating bass, stabbing synths & shifting percussion. on the b-side alex s microsociety bubbles into life over warm bass, soft pads and whirring intonations to deliver a beautifully basic slow-grooving house cut. meanwhile visionquest & cadenza affiliate cesar merveille punches out a robust re-imagining over rolling bass, subtle tones and fluctuating drums to supply a raw and dynamic techno cut. two superb digital bonuses come from danse club records head honchos brodanse and torino native and carnival records boss marcelo tag to round off the fine six-track ep in style.

after what many would consider one of the most meteoric rises to d&b infamousy in recent times, mefjus gets set to deliver his debut album emulation through critical music. an extension of his explosive trademark production style, the music of mefjus stands tall as an aggressive powerhouse of some the most deadly dance floor drum & bass seen in 2014. drawing on a handful of carefully selected collaborators from the jaw-dropping phace & misanthrop to the hip-hop infusions of dope d.o.d, emulation looks set to shatter dance floors for years to come, marking a clear-cut arrival of one of the most gifted producers in the d&b game, mefjus.

and when he had opened the fourth seal, i heard the voice of the fourth beast say, come and see. and i looked, and behold a pale horse: and his name that sat on him was death, and hell followed with him. and power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. (revelation 6:7-8)

i.vy presents her third release on ther own label, chinese laundry. after the first two volumes, continuing the saga in vinyl on the label, also time she s proposing a release based on the acid sound, in fact, from here come the names of the three tracks of -vol. 3 -, sonically distinct from forms of sound in both the quality of the tone and in the structure, leading to a complete trip right in the underground scene. the a-side exposes two tracks both dictated by a bassline, a sequence of acid accompanied by a drum-machine percussion, the sounds derive from -machines- that have guided the analogue creative artist, exposing grit, intensity and quality defined the synth that has a continuous evolution throughout its duration, with a sound much richer in harmonics. the other side of the coin is the b-side, a product of the collaboration between i.vy & the 90 s peacefrog producer solid state, a true evolution from the first two tracks, while following the lodging acid, the b-side results more aggressive and determined, demonstrating a mindset based on a building techno, with a strong impact on the dancefloor.

key players of the scandinavian electro scene have worked together to deliver a snapshot of their unique sound for bt04. luke eargoggle, kan3da, obergman and rutherford deliver everything from icy electro to downtempo, mournful idm leanings. between them, the artists have released on highly respected labels such as bunker, abstract forms, ac and transient force. luke eargoggle also runs the important and highly respected label stilleben. all copies come with an individual screenprinting sleeve and include digital download.

in -music be my lover- alex sander combines a fusion of special electronic sounds and elements of the 80 s and 90 s with interesting and exciting new rhythms of today. this is deep house that will certainly climb the charts and fill every dance floor. the voice belongs to lamont prince, a singer and producer from washington, dc. his singing style combines the roots of gospel with elements of art rock.the amazing remixes come from patty kay, boy next door and samuel fach.

while being a huge multi-single in its own right, this record is also just a tiny fraction of tracks to come out of slavakis london studio. expect playful mixture of warm enigmatic sounds for your mind, body and soul. undeniable deepness for any house music connoisseur.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

dark entries and honey soundsystem have teamed up to release to release a special double vinyl edition of *catholic*, the lost opus of disco pioneer patrick cowley and indoor life vocalist jorge socarras. this compilation features over 80 minutes of minimal proto-techno and synth-driven post punk recorded between 1975-1979.

returning to the southern fried home, machine loving disco oddball andy meecham aka the emperor machine is back with a new single from his album, and it comes ahead of a full new ep in 2015. *pop the lid* comes with remixes by hotter than hot international talent jacques renault, with whom meecham has also collaborated on a new ep forthcoming on jacques lets play house label, and will come in the form of a hand stamped and numbered white label 12 inch, limited to 300 copies.

long-serving french talent philippe petit is welcomed to figure spc with this dextrous and inventive four-track ep. petit is the owner of the knotweed and decision making theory labels, enjoying a busy schedule as a fine purveyor of edgy, melodic and classic techno stylings. we look forward to more to come from mr. petit!

to pretend with a compact production, filled with guitar riffs, catchy melodies surrounded by a haunting bass, incredible electronic atmospheres, his new project stalker shows his concept of pop music. memories of people passing by, visions of nights to come. a retro pop approach to everydays life. music with a reason and a meaning by a man of mystery, passion and a brilliant mind. music with a reason.

parrish smith s debut of dystopic forbidding sets the tone of this label s impressive first release with a superb stark, acid ridden slab of body music. helena hauff adds to the proceedings with her remix of pankows >das vodkalied< taking no prisoners and using heavy percussion in contrast to a wonderfully tense set of arpeggiations, which all descend into skull crushing pressure. carrying over to the flip side are pankow, pioneers of the italian industrial/ebm scene, with two tracks from their legendary first tape -throw out rite- from 1983. with das vodkalied disembodied vocals are cut up and come from every direction driven by a raw, off-kilter energy and pounding beat. i m food for you cranks up the drive and anxiety to create a killer track based around stark arpeggiation. last of all, perseus traxx provides an acidic stripped down venting of frustrations which he spits out with vehemence.

this is another proof, that when djs from the heart evolving their own productions perfect club tracks come to life. the knowledge which elements and arrangement a great track needs, is running through their veins. david dorad is a phenomenon like this! living dj culture from the very beginning, he is a founding member of the bachstelzen crew from berlin, who are running their own famous floor at fusion festival and he is resident dj at kater blau and its predecessor the legendary bar25. he celebrates his debut on ursl records with streets of mexico. his friend canson from zurich and also a member of the ursl network contributes a stunning remix for pianinos. also watch out fort he mexican alien bonus tracks. an absolute faboulus ep with early support from soukie & windish, madmotormiquel, schlepp geist, nico stojan, seidensticker & salour..

the third in a row of split releases by the hague based bakk records is answered by mgun (manuel gonzales) and halvtrak. detroit local mgun already proved to be one of the more talented new producers and this time delivers a true trunk full of funk. the laser sword synths whip through the big space of the roomy kicks and the snare hits the nail on the head, a guaranteed floor filler. crossing the atlantic towards finland / helsinki, halvtrak shares a journey into his forming yet already signature sound. a smooth sailing analog track with trippy acid sounds - a perfect fit for both those during peak time as the early morning racers. sleeve and label are screen printed and 50 copies come with additional screen printed artwork by mgun.

the last shout präsentiert die in vergessenheit geratenen superhelden der blues-shouter-generation, die die amerikanischen nachtclubs und r&b-charts nach dem krieg dominierten. trotz des aufkommenden rock n roll sturms erhielten viele durch ihr erarbeitetes standing in der musikindustrie mitte der fünfziger ihre letzten chancen zu aufnahmen. the last shout dokumentiert diese zwielichtige zeit und bietet die letzten großartigen werke des genres zwischen 1954 und 1962. die limitierte 2lp-edition enthält 32 ausgewählte stücke der 97-track starken 3cd-edition. die linter notes stammen von r&b-kenner und compiler dave penny.

red royalty is about to take a step outside of his realm of music abrasion. his debut ep spirit is the first in a row of raw and obscure techno jams to come. you can expect these future classics on his own imprint second voyage.

american intelligence is theos long awaited follow up to sound sculptures vol 1 and its truly sensational. huge tip! on this album theo fuses jazz & soul music with electronic production, making this album sound both futuristic and grounded in the past at the same time. contributions come from marcellus pittman, ideeyah & duminie deporres

galdoors announces its 5th release, from label boss junes. after a run of successful eps featuring artists such as elgato, leif and audio werner, young uk producer junes steps up with three diverse cuts that push forward the labels emerging sound. despite its relative youth, the label has developed a distinctive aesthetic through minimalist, hypnotic house tracks that are making waves on both sides of the water, heavy support has come from big-boy jocks like ben ufo, daniel bell and mike huckaby. earlier this year, co-owner tamess gal004 release featured on joy orbison’s radio 1 essential mix and ben ufos dekmantel festival promo video, establishing the labels forte for delivering the best productions of its co-owners. gal005 is no exception, with junes developing his sound through an assured three-tracker. root pattern leads the way: a killer groove that cuts perfectly through an undulating melodic soundscape. on the flip, transfer bubbles over - playful yet threatening - and iced finishes off with a broken slab of soundsystem tension.

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.

las finest peaking lights give bart davenport a dubby synth makeover with a california sunset flavour. after releasing his physical world album on vinyl and cd with us earlier this year, on cassette with the über everything burger records, and subsequently premiering it on pitchfork, bart davenport officially became the king of cool. surely you can t get much hipper than that? the thing is, you can. because lo and behold, we have a remix of el bartos *girl gotta way* by none other than peaking lights. on 10 inch vinyl. with a stick-on beard tucked in the sleeve. okay, no beard. but the other stuff is true. without losing any of the melancholy of the original, our la friends come up with a balearic-via-west coast affair, replacing some of the nostalgic sounding guitars with equally longing keyboards and gorgeous synth lines, invoking the sounds of ryuichi sakamotos *beauty*. score!

magnolia ep is the inaugural release of the brand new label eating cannibals, run by danilo sardella, dj/producer/live-act artist, ex-member of the crazy duo lula circus over the last 5 years. the 3 tracks come from the label boss himself, a combination of dark and atmospherical melodies with an extreme forward-thinking attitude, perfectly reflecting his hybrid and mystical inclination. an emotional and pulsing dancefloor gem.

jana kirschner - a child of the bear and blueberry soaked forests of the geographical centre of europe, the land locked land now known as slovakia, mushrooms, berries, and nuts were her toys, the folk songs of slovaks, roma, and the magyar, her education….. winning spandex clad dance comps at 8 years old down the local dom kulture - culture house - disturbingly garish singing competitions by 12, and early forays into songwriting via misguided western wannabe production…. the surest route to 90s era slovakian stardom. jana has changed course so abruptly so frequently in her now eight album career no one dare guess her next move, yet with muzika she has landed, and announced, here is music, a celebration, no rules, pompous, bombastic, day-glo nonsense, it could only come from central europe.

prime numbers are back with the next in their compiled ep series, once again selecting new tracks from producers who inspire & represent the sound of the label. this time it is a diverse outing, dwelling on the dubbier, more subtle side of things.

ltd nice price bomb
new from the tiger records camp is this huge electro / house vocalmau5 bomb - the classic vocal sample by ce ce peniston gets a great new make-over by bart b more and oliver twizt! quite possibly one of the biggest tracks to come out this year and a sure fire hit for tiger. dj support from: axwell, spencer&hill ,steve angello, fedde le grand,tom novy,stfu , dave penn, mousse t , dj falk, g&g and richard grey! is this the new vocalmau5 ?

banging house productions, pure and simple. no-compromise, anthem level chord progressions, a drummer s taste for rhythm programming and the instinct of a live performer all come together in this ep

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

andy burrows reiht sich mit seinem neuen album musikalisch in die fantastischen werke von razorlight, we are scientists oder smith & burrows ein. das neue album *fall together again* erscheint auf pias recordings und ist der nachfolger von *company* aus 2012. musikalisch verbindet das album moderne pop-elemente mit dem vibe erster mccartney solo-alben aus den 70er jahren. *fall together again* wurde ende 2013 in nord-wales aufgenommen und beinhaltet zehn songs, darunter die neue single *as good as gone*.
180 gramm vinyl im klappcover, cd-version des albums inklusive.

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

alan fitzpatrick is back with a three-track ep that encapsulates what alan s drumcode sound is all about. hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top. check! in short, this ep is everything we have come to expect from alan over his long history with drumcode (this is his 10th ep as a solo artist!), but still his sound remains fresh and super-charged for 2014.

chicks luv us have teamed up with their partner in crime medeew to come back on mono for their second standalone ep. deeptech head duky also contributed a massive remix

label head vohkinne steps up to the plate again with the sweaty and headstrong 3 rd release from atrophic society, creole rhythm. its concrete rhythm, combined with an analogue lead riff stirs echoes of warehouses, insistently driving forward, mindful of where its been. tripeo remixes the title track with gusto and flair as weve come to expect, staying faithful to the riff whilst aggressively re-paving the rhythm, offering a slight twist on the original idea. rounding out the ep, be like the sun removes the rhythm to focus on tone, frequency, shades of sub bass and saturation

the debut release from pocket money brings together 4 of our favourite artists from the underground scene, bringing the heat from france, berlin and all the way from the us. each artist shedding their unique styles to bring together a va with different colours flavours, sampling pocket moneys varied sounds and giving a little taste of whats to come in the future.

from the depths of the detroit underground, black catalogue presents md. this 5 track ep is just a small glimpse into the soul and versatility of this artist. deep, futuristic soul from another dimension. and it is just the beginning. another winner from monty lukes label.

the maghreban. i saw this name for the first time when ayman sent me afric, out on his own label zoot. i really got into this raw, percussion heavy stuff. asked him some new track for versatile and here is the result: smack, with his rave vs chicago vibe, and two deeper jams. more to come!

hlanganani music is a new label with its roots in south africa and london, focused on bringing international attention to south african artists. hlanganani music, which translates from zulu as come/get together has its first release from zulu artist butiza. entitled baphuma ezulwini (they came from heaven) the track features vocals from butiza in the style of maskanda (or maskandi-a kind of zulu folk and scathamiya as well as remixes from european mainstays, xdb and christian prommer. the project itself best illuminated by hlanganani label heads and south african expats shy & linda aka sahin meyer with the label the goal is to really help all the artists involved and open new doors on both ends. support by: mr g, jimpster, mano le tough, steve o sullivan, dam swindle, auntie flo, ooft, severino, cottam, lo shea, a sagittariun, drums of death, trickski & more.

the first release from midi records romania, simply entitled *primu*, sets the tone for things to come, as it uncompromisingly proposes a double 12 inch package featuring 4 pieces from our local heroes mihigh, arapu, barac, priku and sepp. pressing on 180 gram vinyl, housed in gatefold sleeve.

borodin has come a long way since his first introduction into electronic music in 2001. thanks to his undeniable skills he has developed a unique style. borodin has been one of the most consistent producers around in recent years. melotherapy is proud to add to the family an astounding style and sound. each and every track will take you into borodins mind and soul. this ep is evidence that borodin has drawn upon all his years of experience to craft an accomplished debut record for melotherapy full of malformed drums, conspicuous hits and amazing breaks.

an idea who’s time has clearly come, moon rock volume 1 struck a nerve upon release last spring. a collection of deeply atmospheric ambience, cosmic, and chillout techno, it was the opening salvo in a much longer-term effort by nyc-based throne of blood recordings to establish a platform for a diverse collection of friends and musical fellow travellers to explore composing music for folding time and exploring innerspace. now, just months after vol. 1 hit shelves, moon rock volume 2 is upon us…

faded ranger made their hypnotizing debut earlier this year with a sparkling trio of singles - be on the lookout, get together (right now) and blindfolds. now the duo are ready to unveil their debut lp, mechanical tonight, in its full glory.

following eomac’s debut album “spectre” on killekill, released earlier this year, here come remixes of the three most outstanding track sof the album. tommy four seven picked the title track spectre, taking away some of the dense texture of the original, speeding it up a bit and adding some straight-forward percussion to turn the original into a big anthem for the mellow moments on the dancefloor. lars stöwe aka anstam is using his anno stamm-alias to rip the distorted bassline of the grimey su riddim out and add some playful bassline variations and some serious 808 business to it to turn it into a peaktime banger with lots of chicago flavour. and do what they do best and turn shell of dark into a half-tempo stomper that after a while breaks up to a devastating weapon of distorted drums and melodies.